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A renovation is one of the most significant investments you will make. That is why every DreamR project is built around four non-negotiables to make sure those decisions are right
To ensure every stage of your renovation receives the expertise it demands, we have a dedicated in-house specialist for each one. A director who leads the vision, a designer who develops it, a drafter who translates it into build-ready drawings, and a project manager who sees every part of the build through with the right people on every job. This is what allows us to deliver spaces that are well-built, on time, and delivered to a standard worthy of the investment.
We begin every project with in-depth consultations to understand how you and your household or team move through daily life. That becomes the basis for every layout decision and material choice we make. The result is a space where every corner supports the routines and rhythms of the people within it.
Every material is evaluated not just for aesthetics, but for its longevity and its impact on the health of everyone within the space. Health-conscious specifications are built into every project as standard, not positioned as optional upgrades.
Before work begins, you receive a full breakdown of design, materials, and labour. Every change that follows is documented and pre-approved, so the investment committed to at the start remains the one you can count on throughout. No surprises. No exceptions.



DreamR impressed us with exceptional design quality, thoughtful in-depth research, and original ideas that reflected our vision and exceeded every expectation.

The DreamR team produced a very thoughtful and stylish design for our new office. Furthermore, they completed our entire renovation almost a month ahead of schedule.

DreamR combined outstanding design quality with meticulous attention to detail, surpassing our vision and delivering an inspiring, stress-free modern workspace.

A wall is rarely experienced on its own. There is the floor beneath it, the furniture drawn up beside it and the light that reaches it at different hours. In a home, a material becomes part of all these relationships.
Microcement has a particular presence within an interior. Its continuous surface can connect one part of a room to another, while subtle variations in the finish give the eye something to return to. The effect depends on the colour, the texture, the light and the materials that share the space.
If you are planning a renovation and considering microcement for your home’s interior, the right finish will depend on what you want to change. Would you like to give a familiar room a cleaner, more contemporary look? Or bring a greater sense of continuity to the space?
These questions guide how the DreamR team designs a home with microcement, from the first sample to the finished surface.
The character of a microcement finish depends in part on the materials around it. Metal can give its softly varied surface a more defined edge, while natural stone can introduce a different pattern and depth. The balance begins with the kind of interior the homeowner wants to create.
For the owners of a Good Class Bungalow we renovated, the wish was for a more contemporary home that still retained the material quality and craftsmanship they valued. We brought microcement together with metal accents and natural marble: the microcement gave the interior a pared-back foundation, while the metal and stone introduced definition and richness.
In the children’s bathroom, this approach creates an intimate, restful space. Warm-toned microcement wraps around the freestanding bath, giving the walls continuity and subtle variation. The bath’s smooth white form stands out against it, while the glass partition keeps the finish visible through the shower area. Together, they give the room a contemporary character without losing its warmth.

Your home may call for a different balance. There may be a material you want to keep, or a room you would like to feel less formal. We look at where microcement could be used and how it would sit alongside the other finishes, so the combination supports what you want the space to become.
Microcement can be made in shades ranging from sand and beige to grey. The colour is selected with the room’s other materials in mind, since they can change how its undertones appear.
A warm grey beside oak may take on an almost beige cast. The same grey beside a pale stone may appear cooler. The microcement itself has not changed, but the material beside it can make different undertones more noticeable.
The material bar at the House gives us a place to work through those relationships with you. We lay out the finishes proposed for your home and compare microcement shades alongside them. You can handle the samples, see them together and notice how a change in shade affects the palette. One grey may draw out the warmth of a timber; another may give a stone’s colour or veining greater definition.

From there, we can discuss which combination feels closest to what you have in mind and explain the reasoning behind our recommendation. The final choice also depends on the proportions of the room: a small sample may feel subtle on the table, but microcement across an entire wall will have a greater presence. We return to the design before settling on the shade, so you can understand how it will contribute to the finished interior.
Light changes the appearance of microcement. A grey that feels warm in daylight may appear cooler under another lighting setting; light directed along a wall can also reveal more of its surface texture.
At the House, the material bar is designed to make those differences visible. Its adjustable lighting temperatures allow us to view the same finish under warmer and cooler light, alongside the other materials proposed for your home. A shade that feels balanced under one setting may reveal an unexpected undertone under another.

During one material selection, a homeowner wanted their living room to feel warmer and more inviting, as the existing interior had long felt too cool. A grey microcement sample sat comfortably beside the chosen timber and stone under warm light, but took on a blue-grey cast under a cooler setting. We compared it with a softer grey with a hint of beige, which held more of the warmth the homeowner wanted. That second shade became the basis for the room’s palette.
Changing the lighting temperature allows you to see those shifts for yourself before the finish is selected. We can then discuss them in relation to the daylight your room receives and the lighting planned for it, so the shade is chosen with the conditions of your home in mind.
Microcement can feel smooth to the touch while showing variation across its surface. Some finishes have gentle shifts in tone; others retain more visible marks from the application.

On a small sample, that movement may be barely perceptible. Across a full wall, it becomes part of the room’s character. A more expressive finish gives the surface greater presence. A quieter one may allow a piece of stone, the shape of a bath or another feature to take the lead.
We look at samples with you up close and from a distance, considering the area the finish will cover and the light that will fall across it. Where microcement is proposed for a bathroom, the selected system and protective finish also need to be appropriate for its location. The visual decision belongs alongside an understanding of how the surface will be used and cared for.
Colour, texture and light may be considered separately during the design process. In the finished room, they are experienced together: the shade beside the materials you chose, the surface seen in daylight and the variations revealed when the lights come on in the evening.
Whether you are renovating a landed home or reimagining your condominium’s interior design, we would love to explore how microcement could become part of the space you have in mind.
Book a private consultation with DreamR.
Microcement can be resistant to cracking when properly applied, but cracks may develop if the surface beneath it moves or is improperly prepared. The condition of the existing surface and the installation method both matter. Before application, the installer should assess the substrate and address any cracks or movement so they are less likely to affect the finish.
Microcement can last for many years when it is properly applied, protected and maintained. Its lifespan depends on the product, the surface beneath it, how the space is used and how well the protective finish is cared for. Your installer can advise when the surface may need attention or its protective coating may need refreshing.
Microcement is generally straightforward to maintain, but it still needs regular cleaning and care. Use cleaning products recommended for the selected finish, and avoid abrasive or acidic cleaners that could damage it. Over time, the protective coating may need to be renewed, depending on the product, the location and how much wear the surface receives.
Microcement’s water resistance depends on the specific system and how it is installed and protected. Some products require a suitable sealer, while others are formulated to be waterproof before sealing. In showers and other wet areas, the complete specification, including any required waterproofing beneath the finish, should be confirmed with the manufacturer and installer.
Yes, microcement can be used in bathrooms when the selected system is suitable for the intended surface and water exposure. Walls, floors and shower areas may have different requirements for waterproofing, protection and slip resistance. These details should be agreed during design so the finished surface is appropriate for how the bathroom will be used.

The owners of a 15-year-old Good Class Bungalow in Singapore wanted to move beyond the home’s conventional design while preserving the quality of materials and craftsmanship they valued. That was the brief for our renovation of this family home.
In the children’s room, our custom fabrication work took a playful turn. The idea was a barn-inspired enclosure, somewhere for bedtime and the hours before it.
Its making began with a question: how could we preserve that sense of play while attending to the children’s safety and the everyday needs of a bedroom?
The family wanted that departure from conventional design to take a playful form in the children’s bedroom. Alongside comfortable beds and storage, they imagined a window to peek through, a slide to enjoy and somewhere to disappear into a game for an afternoon.
A barn-inspired enclosure gave those wishes a form we could work with. White vertical panelling and a sliding shutter with diagonal detailing would give it the familiar character of a barn. A small framed window would look out into the bedroom, while an arched opening would frame the slide, with timber-toned surrounds bringing the openings together. Inside, sleeping spaces would sit on two levels, with shelves beside the beds.
The challenge was to consider how the children would move through the enclosure, from taking the steps to the upper bed to sitting at the top of the slide. We needed to allow space for each movement while considering gaps around openings and how the shutter and drawers would operate.
We approached the custom fabrication from the inside out, considering the space for sleeping, storage and movement together with the safety details. Those decisions would shape the barn around them.

We needed to establish how much space each mattress would occupy and leave enough headroom for the children to sit upright without hitting the structure above.
To work this out, we drew a section through both sleeping levels, showing the mattresses, bed bases and supporting frame together. This allowed us to account for the thickness of the construction when setting the beds at their respective heights.
Once those heights were settled, we could work out the steps and where they would meet the upper sleeping area.
The shelves inside needed similar attention. They had to hold books and personal objects while leaving enough room beside the mattress. We considered their depth and position together, so their contents would be within reach from the bed.

As we developed the steps leading to the upper bed, we considered how the space beneath them could hold storage. The idea was to fit drawers into the staircase, giving the children somewhere to keep their belongings within the same structure.
The height and depth of each step informed the size of the drawers. We sized the drawer boxes to fit within the supporting frame, allowing space for their runners while retaining the support beneath each step. The position of the handhold beside the steps mattered too: it needed to stay within the children’s reach as they went up and down.
Before finalising the drawer depths, we checked how far they would extend into the bedroom and whether they would obstruct the approach to the steps. We then aligned the fronts with the faces of the staircase, so the drawers would sit flush when closed.

The steps take the children up. The slide gives them another way down, making the journey between the sleeping nook and the bedroom part of the play.
The slide had to be considered with the enclosure from the beginning. We checked its suitability for the children’s ages and the height of the upper level, then set out the entrance with room for them to sit before sliding down. The opening and surrounding panels were shaped around that space.
Its length and slope determined how far the slide would extend into the bedroom. We positioned the slide so it would end away from furniture and the main route through the room, leaving a clear area at its base.
At the upper level, we detailed how the slide would attach to the supporting structure and how the arched surround would meet it. We specified smooth, rounded edges on the adjoining panels and worked through the gaps between components to address places where fingers or clothing could become caught.
The barn’s shutter moves across the white panelled frontage on an exposed track. Its diagonal detailing recalls a barn door. Its movement depends on less visible decisions.

We worked through how the children would open and close the shutter and the space it needed to travel. Its weight informed the choice of track and hanging hardware. The guides would keep the panel aligned, while the stops would limit its travel. We also reviewed the closing edges and gaps around the frame, where small fingers might reach.

Before handover, we checked the enclosure as a finished whole. The drawers and shutter moved smoothly, the handhold was secure and the slide’s entrance and exit were clear. The details developed in the drawings now worked together in the room.
Within the larger family home, the children now had a small world of their own. Somewhere to settle quietly or let an afternoon’s game carry on a little longer. A bedroom with reasons to return long before bedtime.
In this room, the family’s wish to move beyond conventional design found its answer: a space that keeps the quality they value and leaves plenty of room for play.
If you’d like to see more of the spaces we’ve worked on, you can browse our project portfolio.
Whether you are renovating a landed home or a condominium, there may be an idea you keep returning to. Something you would like made a certain way, for a reason particular to how you live.
We would be pleased to hear about it, alongside your plans for the home. From there, we can consider what it would take to make it, with attention to the proportions, materials and details that matter to you.
Book a private consultation with DreamR to share your plans and explore the possibilities for your home.
Bring your floor plan and any specific requirements for what you would like made. Dimensions of items it needs to accommodate, such as mattresses, books or equipment, are useful starting points. Share what works in your current home and what you would like to use differently.
Material choices depend on what each part needs to do. A supporting frame, a drawer box and a visible panel may require different materials or thicknesses. Weight, stability, finish and maintenance should be considered alongside appearance, with samples and specifications agreed before fabrication.
Some changes can be allowed for from the outset, such as adjustable shelving or removable fittings. Larger alterations depend on how the structure is built. If you envisage removing a slide or changing a sleeping area later, discuss this during design so those possibilities can inform the connections and construction.

Here is a pattern almost everyone in Singapore follows without noticing. Years of decisions, negotiation and nerve go into acquiring the property. Then the interior, the part you will actually live inside, every morning and every night, for the next ten years, is settled in a few weekend afternoons, chosen quickly, priced per square foot, and gotten through.
We have it backwards.
You do not live in the address. You live in the rooms. You spend far more waking life inside your home than at any restaurant you would book weeks ahead, any hotel you would research for hours. And yet the home, the setting for nearly all of it, is the thing we are trained to buy fastest and think about least.
The correction is not extravagance. It is proportion. If a home is where most of your life happens, then a meaningful share of what you put into the property belongs to the life lived inside it. Not a token. Not whatever is left after the purchase, but a real proportion of the whole. Enough that the rooms are equal to the years you will spend in them.
That is the entire argument the House is built to make. It is why we did not build a showroom, where the interior is priced and gotten through. We built a place you would actually want to spend a Sunday. Because until you feel how much of a life is lived indoors, no one can tell you what the indoors is worth.
Stand in it once, and the maths changes.

We don't ask new clients for a Pinterest board. We ask a harder question: where in your life have you felt most calm? Not the most beautiful place you've seen. The one where something in you actually settled. Everyone has one. Most people have never been asked to name it.
A home assembled from saved images is a collage of other people's calm. It photographs well and never quite holds you. The room you are really looking for is not on a screen. It is in your memory, and you may have forgotten you own it.
I learned this with my own house, the hard way.
I was choosing the facade, something quiet, grey. We tried more than eighteen shades of it, and none was right, and I couldn't say why. So I did the thing I ask clients to do. I closed my eyes and went to the calmest place I could remember. It was a ryokan in Niseko: dark walls, snow outside, a tub cut from grey stone. I had been hunting for the palest grey I could find, and the place my body called calm was almost black.
I would never have chosen it from a screen. I chose it from a memory. It is the wall of my home now, and it is right in a way none of the eighteen samples were.
That is the whole of how we work, and it is why we are called DreamR. A home should be remembered before it is designed. Recalled from the one place that already knows how to hold you, not shopped from the ones that only know how to be looked at.
The House on Henderson Road is built to help you find that memory. It is slow on purpose: tea before drawings, materials to be handled before decisions. It will not feel like a hotel, posh and finished on the first day. Calm was never a look you install. It arrives slowly and grows into a space, the way it does in the places you actually love.
Come and tell us where you were most calm. We will build from there.
